<body> <div> <noscript>The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. The Flamenco guitar has evolved according to the principles &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; hes set. The Flamenco art is an Andalusian art born in southern Spain. It is traditionally associated to the Gypsies and Romanians since they were the &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; main perfomers of this art and did a great job in spreading it around. They were also particulary talented at putting together, in a colourful &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; melting pot, a variety of rhythms coming from Arab melodies, the Jewis Chants at the synagogue, remote passages from the Byzantine liturgy and contibutions from &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; the Andalusian music culture. &gt;From the marginal and besieged fate associated to this ethnic group comes the he extreme pain that normally accompanies Flamenco, and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; from the richness and variety of cultures and rhythms involved stems both the relevance of its cantes and dances and the contagious and explosive way &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; in which flamenco expresses its joy and happiness.Flamenco is, by definition, an intimate music, but its current boom of popularity takes it to a new &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; era where mass media witnesses its gracefulness and majestic power. But it will always be more at ease within that little circle of friends where &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; there are only the guitar, the voice and that dancing body at dawn, and that is something known as Juerga Flamenca (Flamenco Binge). To listen &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; to Flamenco is to listen to its people. That is the basis of the magic adventure of travelling through the roots of time riding on &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; top of a great form of art that runs through the people vains.This art has three different forms of expression: Cante (singing), Baile (dance), and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; Toque (playing). The flamenco cante is a genuine and ancestral expression of the Andalusian people and also one of the most original human creations that &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; currently exist with an unquestionable universal renown. The forms and methods of the Flamenco cante are totally associated to the Andalusian cultural identity. Additionally, Flamenco &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; represents an expression open to other influences originated from all cardinal points.The cante is the heart of the flamenco and, like the baile, it has &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; three forms: Grande or Jondo (Great or Deep): passionante and intensive and deep singing performed in a tragic manner and possessed by el duende (mysterious &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; and powerful force), the emotional transformation of the artist due to a profound feeling. Intermedio (Intermediate): moderately serious, sometimes charged with eastern momentums. Peque&ntilde;o (Small): &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; light cantes, full of exuberance, love and nature. There is a great variety of individual genres like the up-tempo buler&iacute;as; the most serious soleares and &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; its more festive descendant, the alegr&iacute;as; the fandangos grandes, a serious adaptation of a lighter non-gypsy genre, the malague&ntilde;as, a fandango-like rhythm; and the cantes &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; grandes, like the seguidiyas, gitanas and the saetas. Both the lyrics and melody of this cantes, like the danza flamenca, are improvised over traditional structures &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; and a characteristic rhythm. The Zapateado (foot-stomping), a footstep game between sole and heel, is an esential part of the mens dance. The greatest on &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; this art are Joaquin Cort&eacute;s y Antonio Canales. The traditional form of dance in women is based on the body art and grace, and in &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; the hands movement. Castanets, which are found on the Andalusian dance, are not traditional in the Flamenco scene. Cante and Baile can be accompanied by &lt;b&gt;&lt;i&gt;FLAMENCO MUSIC&lt;/i&gt;&lt;/b&gt; jaleo, which is a rhythmic clapping of hands, finger snapping and screaming. The guitar was a common accompanying instrument in different genres, and that is &lt;b&gt;&lt;i&gt;FLAMENCO CD&lt;/i&gt;&lt;/b&gt; how the guitar solos became popular. Regarding the flamenco dance, which has always been the favourite of the public, is going through a splendid time &lt;b&gt;&lt;i&gt;FLAMENCO CHILL&lt;/i&gt;&lt;/b&gt; hand in hand with dancers and coreographers. Antonio Gades y Mario Maya set the trend in the seventies with a new approach to the Flamenco &lt;b&gt;&lt;i&gt;FLAMENCO SONGS&lt;/i&gt;&lt;/b&gt; dance, which so far, followed classic and strict guidelines. Their contribution was a combination of traditional elements of the flamenco dance with classic ballet, giving &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; them a theatrical touch and a very contemporary coreography. Bodas de Sangre took Antonio Gades reputation to new heights and it also offered a solid &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; support to a group of new bailaores and bailaoras that, judging by the number of followers that sprung up all of a sudden, seemed to &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; have been waiting for the miracle to happen: seeing on a stage new movements capable of overtaking the power of the hands with the speed &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; of the feet and the magic of the waist. Among the cantaores that revolutionized the Flamenco cante, there are two key figures: Camar&oacute;n de la &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Isla y Morente. The first, nicknamed El Pr&iacute;ncipe (The Prince), rocketed to stardom after creating a sound that came from deep inside his soul, and &lt;b&gt;&lt;i&gt;Flamenco cd&lt;/i&gt;&lt;/b&gt; the latter, victim of an unstoppable creativity. Regarding the guitar, it was an instrument that originally didnt play next the cantaor, since the cante was &lt;b&gt;&lt;i&gt;Flamenco chill&lt;/i&gt;&lt;/b&gt; performed a palo seco (a capella), with the exception of basic percussion or hands clapping. Todays playing wouldnt be the same without Paco de Luc&iacute;a &lt;b&gt;&lt;i&gt;Flamenco songs&lt;/i&gt;&lt;/b&gt; who created a whole new harmony for the instrument, opening doors to a crossbreeding with Jazz, salsa, Bossa Nova, and ethnic rhythms of different origins. &lt;b&gt;&lt;i&gt;Flamenco music&lt;/i&gt;&lt;/b&gt; Paco de Luc&iacute;as importance goes beyond guitar. He is a key figure of the Flamenco World. 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