While it consists of a summary of the innovations we have heard until today, this disc forecasts new changes.
Once again we find buleras without claps like in the 1971 album but now Paco de Luca doubles up on falsettos and some answers. With Ramn de Algeciras in charge of the second guitar; three guitars sporadically surface.
In the buleras 'Como castillo de arena' some endings surprise by falling out of the common twelveth's timing. The guitars seem to allow Camarn end with his cante, although they last to long at times. Its way of accentuating and holding back builds up a certain tension; we wait for the climax after twelveth's cicles only for it to knock in right after the weait.
The tientos also surprise the guitar accompanyment with a certain inclination toward tango rhythms and Camarn's resting voice. There is also a tension here between a guitar seeking speed and a voice looking to drag. In the end, tango comes out triumphant. |
| Songs: |
| Disco 1 |
| 1. Samara (Buleras) |
| 2. Donde se divisa el mar (Taranto) |
| 3. Y mira que mira y mira (Tangos) |
| 4. De tus ojos soy cautivo (Sole) |
| 5. Dos estrellas relucientes/De la alegre primavera (Fandangos) |
| 6. Como castillo de arena (Buleras) |
| 7. Vivo pa quererte (Tientos) |
| 8. De lo que yo soy pa t/Por culpa de tu cario (Fandangos) |
| 9. Que he dejao de quererte (Granana) |
| 10.Por cositas malas (Seguiriyas) |
|
:: Paco de Luca 
