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    The Academic Treatise on Flamenco Guitar - Manuel Granados economical PACK (5books/CD)

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    The Academic Treatise on Flamenco Guitar - Manuel Granados economical PACK (5books/CD) Ref.: 50489L-GRANADOSTPACK
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    THE ACADEMIC TREATISE ON FLAMENCO GUITAR by the maestro Manuel Granados represents didactic material of enormous interest for maestros, students, flamenco aficionados and guitarists of all musical styles.

     

    Organised into five volumes, is aimed at those students about to begin their studies, and to all those who may have learned without real coherency and who may have some faults to correct.

     

    Each book is divided into three sections: Technique, Styles and Theory of flamenco music, all of them with a CD so that the guitarist can practice without the need of help from a teacher.

     

     

     

    The Academic Treatise on Flamenco Guitar Vol 1

    PROLOGUE

    TUNING

     

    I. TECHNIQUE

     

    1. FLAMENCO RASGUEO: Rasgueo studies

    2. THUMB: Thumb exercises, Thumb studies

    3. THUMB-INDEX: Thumb-index exercises, Thumb-index studies

    4. ALZAPUA: Alzapua exercises, Alzapua studies

    5. ARPEGIOS: Arpeggio exercises, Arpeggio studies

    6. TREMOLO FLAMENCO: Tremolo Exercises, Tremolo studies

    7. PICADOS: Picado exercises, Estudios de picados

    8. SLURS: Slur exercises, Slur studies

     

    II.STYLES

     

    SOLEÁ Compas 1 to 6, Variation 1, 2, 3

    SIGUIRIYA Compas 1 to 6, Variation 1, 2, 3

    TIENTOS Compas 1 to 6, Variation 1, 2, 3

     

    III. FLAMENCO MUSIC THEORY

     

    SCALES FORMATION

    TRIAD CHORDS FORMATION

    MODAL APPROACH

     

     

     

     

     

     

     

     

     

    The Academic Treatise on Flamenco Guitar Vol 2

     

    I.TECHNIQUE

     

    1.FLAMENCO RASGUEO: Rasgueo exercises, Rasgueo studies

    2. THUMB: Thumb exercises, Thumb studies

    3. ALZAPUA: Alzapua exercises, Alzapua studies

    4. ARPEGIOS: Arpeggio exercises, Arpeggio studies

    5. FLAMENCO TREMOLO: Tremolo studies

    6. SIMULTANEOUS NOTES OR Chord exercises

    7. PICADOS: Picado exercises, Picado studies

    8. SLURS: Slur exercises, Slur studies

    9. BARRE: Full barré & half-barre exercises, Full barré & half-barre studies

     

    II.STYLES

     

    SOLEÁ IN A: Compas 1 to 6

    ALEGRÍAS: Compas 1 to 6

    BULERÍAS: Compas 1 to 6

    FANDANGO RÍTMICO: Compas 1 to 6

    FARRUCA: Compas 1 to 6

    TARANTO: Compas 1 to 6

    TANGOS: Compas 1 to 6

    SERRANA: Compas 1 to 6

    GUAJIRA: Compas 1 to 6

    COLOMBIANA: Compas 1 to 6

    PETENERA: Compas 1 to 6

     

    III. FLAMENCO MUSIC THEORY

     

    CHORD FUNCTIONS IN THE FLAMENCO MODE

    SEVENTH AND NINTH CHORD FORMATION

    THE USE OF THE 7TH AND 9TH IN THE FLAMENCO MODE

     

     

     

    MALAGUEÑA explanation

     

    MALAGUEÑA "llamada" call

     

     

    GRANAINA "llamada" call

     

    The Academic Treatise on Flamenco Guitar Vol 3

    I.TECHNIQUE

     

    1. OPENING ARPEGGIOS AND FAST ARPEGGIOS

    2. LONG ARPEGGIOS COVERING 6 STRINGS

    3. ARPEGGIOS WITH SIMULTANEOUS NOTES

    4. FLAMENCO TREMOLO

    5. RUNS (PICADOS) 6. ARPEGGIO-PICADO

    7. CHORDS OR SIMULTANEOUS NOTES

    8. CAPO/BARRÉ

     

    II.STYLES

     

    MALAGUEÑA

    GRANAÍNA

    TARANTA

    SOLEÁ EN MI

    SIGUIRIYAS

    TIENTOS

     

    III. FLAMENCO MUSIC THEORY

     

    KEY SIGNATURES IN FLAMENCO TRADITIONAL

    HARMONY APPLIED TO FLAMENCO

    FUNCTIONS: TONIC, DOMINANT AND SUBDOMINANT

    SECONDARY DOMINANT CHORD APPLIED TO FLAMENCO MODE

     

    The Academic Treatise on Flamenco Guitar Vol 4

     

    I. TECHNIQUE

     

    1. LONG ARPEGGIOS COVERING 6 STRINGS. Long arpeggio studies

    2. FLAMENCO TREMOLO. Flamenco tremolo studies

    3. THE THUMB. Studies

    4. ALZAPÚA. Alzapúa studies

    5. FLAMENCO SCALES (PICADOS). Exercise

    6. ARPEGGIO-PICADO Patterns 1 – 9 Arpeggio-scales studie

    7. CHORDS Study

     

    II. STYLES

     

    RONDEÑA Characteristic tuning Variations 1 & 2

    MINERA Variations 1 & 2

    FARRUCA Variations 1 - 4

    SOLEÁ IN A Variations 1 – 4

    SERRANA Variations 1- 3

     

    III. FLAMENCO MUSIC THEORY

     

    THE SUBTONIC IN THE FLAMENCO MODE, AND THE TRANSITORY SUBTONIC.

    THE CADENCE OF THE FLAMENCO MODE.

    REINFORCING CHORD FUNCTION IN FLAMENCO HARMONY.

    USE OF THE SUBDOMINANT OF A TRANSITORY TONE IN THE PROGRESSION.

    THE E NOTE AS A PEDAL IN HARMONIC PROGRESSION.

    R ELATIONSHIP AND FORMATION OF CHARACTERISTIC FLAMENCO MODES.

     

     

    The Academic Treatise on Flamenco Guitar Vol 5

    I. TECHNIQUE

     

    1. LONG ARPEGGIOS COVERING ALL SIX STRINGS. Studies

    2. ARPEGGIOS WITH RING FINGER REST STROKE. Studies

    3. ARPEGGIOS WITH SIMULTANEOUS RING FINGER REST STROKE AND THUMB Studies

    4. FLAMENCO TREMOLO. Exercises and Studies

    5. THUMB. Studies

    6. ALZAPÚA. Studies

    7. PICADOS (SCALES). Studies

    8. SCALES WITH SIMULTANEOUS BASS. Exercises and Studies

    9. ARPEGGIOS-SCALES. Studies

    10. CHORDS. Study

    11. LEFT HAND STRETCHES AND ELASTICITY. Exercises & Studies

     

    II. STYLES

     

    GRANAÍNA

    MALAGUEÑA

    TARANTA

    TIENTOS

    TANGOS

    SIGUIRIYA

    SOLEÁ EN MI

    FANDANGO

    GUAJIRA

     

    III. FLAMENCO MUSIC THEORY

     

    MODULATION IN TRADITIONAL HARMONY

    MODULATION IN FLAMENCO MODE

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