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COMO EL AGUA The master cante from Camarn and the extraordinary guitars from Paco de Luca and Tomatito, together in a CD that is, track by track, totally enjoyable. Never before so much perfection was seen on an album. Any flamenco aficionado should have this Cd up on his to-od list. This record, in which Paco de Luca returns to play for Camarn es capable of touching the thinnest fiber of your soul....
EL PEQUEO RELOJ In this CD, Enrique Morente lends his voice to relive old recordings of late masters like Sabicas, Manolo de Huelva and Ramn Montoya. Morente sings an electronic by Carlos Jean dedicated to Lula, Brazilian president. There is also Latin Jazz with Cuban Alain Prez and Neoyorican Jerry Gonzalez, and also an anit-war tune inspired on Beethoven's 'Claire of the Moon'. This CD features...
SALAZAR CANTA A EDITH PIAF With her tribute sung and danced to the parisian Edith Piaf, Ana Salazar begins a rather unorthodox path. With her involvement in 'Chanson flamenca' an interlude with the Wale music and is seen in her new work. Following her trajectory set forth by Chanson Flamencoa: A flamenco tribute to the french song, we now have ANA SALAZAR CANATA A EDITH PIAF, a tribute to this great artist.The album has 11...
CANASTERA 'Canastera' seems to show the most experimental sides of these two flamenco virtuosos. It coincided temporarily with the flamenco 'duende' of Paco de Luca (1972) y reflects the sound of that time with echoes and rever effects. It starts with an attempt at creating Cante, "La Canastera", with a chorus that brings back the memories of the copla "Ojos Verdes", originally written by Valverde, Len y...
FRIDAY NIGHT IN SAN FRANCISCO This live recording from 1980 matched U.S.fusion guitar heavyweights Al DiMeola and John McLaughlin with Spanish guitar guru Paco DeLucia. It is an awesome jam-sesson. Listening to this album is like listening in on a conversation in a beautiful language different from your own -where you can pick out phrases and appreciate the rhythms and intonations. After you have a listen or two, you'll...
LIO The Jerz-born sensation Jos Merc is back again. He's looked around, learnt and thought about it carefully, and has found the need to openly express it. And the first thing that came to his mind was 'Lo' [Fuss]. 'Lo' es the third record of Jos Merc for Virgin, and we're talking about an artist that is living his career prime and his combining both success with orthodoxy has helped him...
CANTAN A MANUEL DE FALLA The legendary 70's couple came back in 1992 with this recording that pays tribute to some excerpts of Falla's Amor Brujo. From that encounter this album saw the light under the label Pasion, and it was ironically named 'Lole y Manuel cantan a Manuel de Falla'. With the help of the London Symphonic Orchestra, Lole and Manuel's music is not progressive rock nor Sinfonic rock, but they did...
CALLE REAL Camarn gets together with Paco de Luca, Tomatito (second guitar), while Rubem Dantas and Raimundo Amador, cajn and percussin respectively formed the rhythm section. Can we ask for anything more?. This is a flamenco masterpiece made by some of its heavyweights.
CADA VEZ QUE NOS MIRAMOS This album represents the meeting between Camarn and Paco de Luca, who back at that time was a young guitarist from Algeciras (soutern Spain) with whom Camarn formed the most important flamenco 'duet' in the second part of the 20th Century. The relationship between them keeps on growing and the year after releasing their first album together, Camarn tours with Juanito Valderrama along with...
SOY GITANO 1989. 'Soy gitano', first gold disc for Camarn de la Isla in Spain (over 50.000 copies sold). It is no secret that Camarn set a before and after in the flamenco history in Spain. He was a cante revolutionary and his contributions to flamenco are countless, and many of them acted as breeding ground for many other singers that were to come after him.